Our critics' picks of this week's openings, plus your last chance to see and what to book now• Which cultural events are in your diary this week? Tell us in the comments below
Romeo and Juliet in Baghdad
Shakespeare's epic love tragedy relocated to present day Iraq, a society riven by sectarian violence between Sunni and Shia. In Arabic with English surtitles. Swan Theatre, Stratford upon Avon (0844 800 1110), Thursday to 5 May; Riverside Studios, London W6 (020-8237 1111), 28 June until 30 June.
A new site-specific production from the National Theatre of Scotland based on interviews with leading figures in the newspaper industry, from editors to retailers. Andrew O'Hagan co-edits with directors John Tiffany and Vicky Featherstone. Hub at Pacific Quay, Glasgow (0141 429 0022), 26 April until 12 May.
Marley (dir. Kevin Macdonald)
A documentary about the life and times of Bob Marley. He was a musical legend, but a flawed and vulnerable human being.
Royal Ballet: La Fille Mal Gardée
Stellar casting for Frederick Ashton's perennially charming pastoral comedy, including Marianela Nunez, Carlos Acosta, Alina Cojocaru and Johann Kobborg. Royal Opera House, London WC2 (020-7304 4000, roh.org.uk), until 16 May.
A hyper powered company of Cuban dancers and musicians, performing a fusion of ballet, hip-hop and contemporary dance. Peacock Theatre, London WC2 (0844-412 4322, sadlerswells.com), Wednesday until 19 May.
The Importance of Being Earnest
The UK premiere – in a concert performance conducted by Thomas Ades – of Gerald Barry's operatic distillation of Oscar Wilde. Barbican, London EC2 (020-7638 8891), Thursday; Symphony Hall, Birmingham (0121 780 3333), Saturday.
Conductor Ilan Volkov presides over the BBC Scottish Symphony's free portrait concert of the Cornish-born, Dutch-resident Ayres, which includes MacGowan, named after The Pogues' lead singer, and the NONcerto for horn. City Halls, Glasgow (0141 353 8000), Saturday.
A European contemporary-jazz supergroup, the trio of former Chick Corea, saxophonist Tim Garland, dazzling pianist Gwilym Simcock and resourceful world-music drummer Asaf Sirkis tours with a new repertoire and a new album. Royal Northern College of Music, Manchester (0161 907 5555), Thursday; Darwin Suite, Derby (01332 255800), Friday, then touring.
One-off show from the artist formerly known as Santogold, plying the expansive, genre-hopping pop of her second album Master of My Make Believe. Heaven, London (020-7930 2020), Thursday.
Not always a fountain of bonhomie and bottomless good vibes onstage, the drollery and melodicism of Stephin Merrit's songwriting usually shines through. Tour begins Tuesday, Brighton Komedia (01273 647100).
Juan Muñoz: An Inaccessible Moment
Some of Munoz's last sculpted figures, including a self-portrait, are included in this show. Muñoz died just after mounting Double Bind, his 2001 Turbine Hall commission. I would recommend this, as I helped curate it. Frith Street Gallery, London W1, Wednesday until 20 June.
Big and Small
Botho Strauss's story of a woman adrift in a cold, materialistic world comes of age. Cate Blanchett is on tumultuous form in this brave Sydney Theatre Company revival. Barbican, London EC2 (020-7638 8891), until 29 April.
Wild Bill (dir. Dexter Fletcher)
Dexter Fletcher scores with his directing debut. It's a terrifically warm-hearted film, starring Charlie Creed-Miles as the ex-con going straight as a single dad.
Sam Brown's fussy production may blur the dramatic edges of Wolfgang Rihm's stark expressionist one-acter, but Andrew Shore is utterly compelling in the title role. Hampstead Theatre, London NW3 (020-7722 9301), Tuesday, Thursday, Friday.
Pat Martino Trio
The soul-steeped, hard-bop music that revered Philly guitarist Pat Martino has been playing for more than 40 years retains its old heat, and though guitar buffs queue up to catch him, his work reaches out to all kinds of listeners. Martino plays these gigs with the Hammond organ/drums accompaniment that brings out the best in him – bluesy muscle, jazz swing and smoky grooving. Ronnie Scott's, London W1 (020-7439 0747), Monday and Tuesday.
If you're going to revive anything from the 90s, it might as well be Tricky's astonishing debut album Maxinquaye, which he's performing in full. Tour ends Saturday, Manchester Academy (0161 275 4278).
Foster the People
Amiable multiple Grammy-winning US indie pop, so popular this date is the last of three nights at the Brixton Academy. Tour ends Sunday, Brixton Academy (0844 477 2000).
Pavilions or prisons, cafes or conceptual chill-out zones, Dan Graham's structures of steel, mirror and glass are at once practical and useless, artworks and architecture. You wouldn't want to get stuck in one. Lisson Gallery, London NW1, until 28 April.
The latest from Frantic Assembly is a collaboration with National Theatre Wales and inspired by a Dylan Thomas short story. Swansea-based band Hybrid provide the music for a promenade performance about the mating rituals and search for love in the shadows of the city. Patti Pavillion, Swansea (01792 602060), 9 May until 19 May.
Phillip Ridley's explosive play about love, one of the best new plays of 2011, goes out on tour. The title says it all, but nothing prepares you for the intensity of this two-hander. Curve, Leicester (0116 2423595), 10 May until 12 May, then touring.
Public booking opens tomorrow for the return of Joe Hill-Gibbons' insanely enjoyable revival of Jacobean gore-fest. An intimate, jelly-throwing exploration of sex, obsession and murder. Young Vic, London SE1 (020-7922 2922), 20 November until 15 December.
Damsels in Distress (dir. Whit Stillman)
Stillman makes a welcome return with his distinctively literary, elegant style of film-making.
Tanztheater Wuppertal World Cities 2012
One of the glories of the Cultural Olympiad is this month-long season of works by Pina Bausch. Focusing on her later travelogue works (created in and inspired by some of the world's great cities, including Rome, Hong Kong and Istanbul), this programme of 10 works includes familiar pieces like Viktor and others new to Britain like Como el Musquito. Sadler's Wells, London EC1 (0844 412 4300, sadlerswells.com) and Barbican, London EC2 (020-7638 4141, barbican.org.uk), 6 June until 9 July.
OperaUpClose celebrates Arnold Wesker's 80th birthday with a new production by Pamela Howard of Robert Saxton's 1991 opera, based on Wesker's play. King's Head, London N1 (020-7478 0160), 20 May until 10 June.
Robert Glasper Experiment
American pianist Glasper is following in the footsteps of Herbie Hancock as a jazz virtuoso who's just as creative and influential in funk and R&B, and his new Black Radio project draws on many contemporary styles, from postbop to hip-hop. The Barbican gig features guest R&B vocalist Bilal, a regular Glasper collaborator. Norwich Playhouse (01603 766400), 13 May; Barbican, London, EC2 (020-7638 8891; barbican.org.uk), 14 May; then touring until 24 May.
It's not often a pop act makes more sense live than on record, but Lady Gaga's agreeably preposterous performance art-inspired shows prove the exception. Tour begins 8 September, Twickenham Stadium (0844 847 2492).
Bauhaus: Art as Life
The Bauhaus has informed the texture of modern life, even into the 21st century. Its rational spirit lives on, and we live in its legacy. Artworks, artefacts, models, photographs, ceramics and more, in a specially designed series of dramatic and intimate spaces. Barbican Art Gallery, London EC2, 3 May until 12 August.
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