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I asked Gil Shaham about the "correctness" of applause following the first movement of the Beethoven Violin Concerto. Shaham responded with a story, perhaps apocryphal, of the first performance of the concerto, by Franz Clement. As the story goes, not only was there sustained applause, but Clement stopped the show with a little improvisation, including a trick in which he turned the fiddle upside down and played it.
Oh, those wild, unbuttoned, 19th-century Viennese.
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