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quoteprofileNAME: Gregorio Lopes
AGE: 18
HOMETOWN: Bloomington, Indiana
INSTRUMENT: Violin and viola
PERFORMED ON: Show 283

“My favorite part about playing music has come to be its healing quality,” says 18-year-old violinist/violist Gregorio Lopes. When his ensemble, the Violin Virtuosi, traveled to Brazil, Gregorio remembers playing for children who lived in shanty towns and being struck by how they responded to music. “Their faces lit up when we played,” he recalls. “It was just magical.” He felt a similar sense of connection and inspiration playing for children in the Bronx and for the elderly in senior living facilities. “It’s amazing to see the power music has,” he says.

From personal experience, Gregorio knows just how strong the healing power of music can be. When his parents were going through a messy divorce, music became a welcome respite from the pain he was experiencing. “I fled to my violin during those hard days,” he recalls. “Music was one of the things that was still a constant. It was my way of finding peace.”

Gregorio’s musical life began at the age of 5 when he met the most famous resident of his hometown, the great violinist Joshua Bell. The circumstances were rather unusual; Gregorio and his sister were waiting for their mother to finish a therapy appointment, and into the waiting room strolled the psychologist’s son, who was none other than Joshua Bell. Gregorio recognized the hometown superstar immediately. “He talked with me and was so nice, and I was just taken with him,” he remembers. “From that very moment I decided I wanted to play violin just like him.”

See Gregorio playing with the Violin Virtuosi

See Gregorio playing with the Violin Virtuosi

These days, Gregorio spends much of his time playing music with the Violin Virtuosi, a small group of dedicated string players from the Pre-College String Academy at the Indiana University Jacobs School of Music. With them, he has performed all around the United States as well as in Argentina, Brazil, Denmark, and Sweden.

As important as music is, academics hold an equally important place in Gregorio’s life. He enjoys challenging himself in school and is drawn to math, psychology, and aeronautics. Next year, he will head to Stanford University where he plans to study engineering. “It was a very difficult choice to decide not to devote myself entirely music,” he explains, “but I have so many other interests I also want to explore.”

Still, music will remain an important part of Gregorio’s life. Thanks to From the Top’s $10,000 Jack Kent Cooke Young Artist Award, Gregorio will soon be the proud owner of a new viola ­– the first instrument he has ever had the opportunity to own.


Gregorio performed on Show 283 at New England Conservatory’s Jordan Hall in Boston, Massachusetts. He played Melodie, Op.42, No.3 by Peter Ilyich Tchaikovsky. Listen now.


5 months ago | |
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From Austin, Texas, to Detroit, Michigan, From the Top alumni have been excelling in major competitions all over the United States. We’re thrilled to share the good news from concert halls across the country.

Menuhin Competition, Austin, Texas

StephenWaarts

© 2012 Ranjith Jim Box

Several From the Top alumni appeared as part of the esteemed biennial Menuhin International Competition for Young Violinists held recently in February. Violinists 17-year-old Stephen Waarts, pictured left, (Show 207, Stanford, California) of Los Altos, California, and 18-year-old Stephen Kim (Show 193, Mobile, Alabama) of Cupertino, California, both competed in the Senior Final Round. We are thrilled to share the news that Stephen Waarts won first prize and Stephen Kim took fourth prize! Alex Zhou (Show 263, Davis, California) placed fourth in the Junior Finals competition, the highest-ranking American student in that category.  Also on hand was Ariel Horowitz (Show 262, Greensburg, Pennsylvania) who performed in the “Passing of the Bow” ceremony, a Menuhin tradition that communicates the power of music to share with other cultures.

Sphinx Competition, Detroit, Michigan

We are proud to announce that 15-year-old violist Mira Williams (Show 277, Bowling Green, Ohio) from Chicago, Illinois, 15-year-old violinist Tristan Flores, who will be appearing on Show 285 in Boston, Massachusetts, and 14-year-old cellist, and recipient of our Jack Kent Cooke Young Artist Award, Sterling Elliott (Show 275, Aspen, Colorado) were 2014 Sphinx Competition Junior Division Semi-Finalists in the recent Sphinx Competition, held in Detroit, Michigan. Sterling Elliott, who will be appearing on our upcoming show in Norfolk, Virginia, won the title of First Place Laureate in the Junior Division Finals. We loved his recent posting on Facebook:

Sterling Facebook

Blount-Slawson Competition, Montgomery, Alabama

In Montgomery, Alabama, our friends at the Montgomery Symphony held the Blount-Slawson Young Artists Competition in late January. This year’s competition was especially poignant, as the leader of the competition and longtime friend of From the Top, Helen Steineker, passed away in December. We know she would have been pleased with the high level of competitors this year. From the Top alum Yaegy Park (Show 185, San Antonio, Texas), a violinist and recipient of our Jack Kent Cooke Young Artist Award from Pasadena, Texas, placed second with her performance of the first movement of the Prokofiev Second Violin concerto. First prize winner 14-year-old pianist Elisabeth Tsai is the younger sister of From the Top alum Eric Tsai (Show 227, Opelika, Alabama), and will be following in her big brother’s footsteps when she appears on the show on a date to be determined.

And more!

We’ve also heard from 15-year-old organist and pianist Michael Jon Bennett (Show 281, Costa Mesa, California) from New York City, who will be making his Carnegie Hall debut after receiving the gold medal in the International Young Gifted Musicians Festival – Passion of Music 2014, sponsored by the American Association of the Development of the Gifted and Talented and first prize in the American Protégé International Piano and Strings Competition 2014.

Are you an alum with a recent competition win to your name? Keep us up to date on your activities by emailing Robin Allen LaPlante, Marketing & Communications Manager, at rlaplante@fromthetop.org.


5 months ago | |
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The healing power of music.

This is a phrase we hear a lot these days. Throughout history, music has been a source of inspiration, comfort, and support in many circumstances.

We are always amazed at the poise and achievement of our young performers on From the Top. The dedication, hard work, and passion that they share gives us hope for the future. Yet even these high-achieving young people deal with hard times, and many of our musicians share stories about how music has helped them (and others) heal. Sometimes we share those stories on air, and sometimes we choose not to.

In our recent taping recorded at Jordan Hall in Boston and aired the week of March 10 on NPR stations nationwide, the young ladies of Quartet Noce opened up to our host and live audience about the challenges they have faced in their lives so far, and how music has helped them through those challenges. They felt it was important to share this part of their story, and the response to their courage has been remarkable so far.

Quartet NoceWhen we interviewed them before they appeared on the show, the quartet struck us as a tight-knit group, with the girls operating as a group of best friends rather than only musical accomplices. They are very encouraging towards one another, and are comfortable discussing serious topics as well as lapsing into giggles when they remember a funny moment from rehearsal. Each of the girls has used music to help them cope with some tough situations in their young lives, which they shared with us on the radio show.

17-year-old violist Sloane Wesloh is a passionate advocate for people with Type 1 Diabetes, an autoimmune disease that she was diagnosed with at age 12 after playing classical music  for seven years. She says, when she received the diagnosis, that she wanted to quit playing. “I felt like it was pointless to be playing an instrument and focusing on passion and music when I was simply trying to stay alive,” she says, “then I came back to it about a year later when I realized that when I play music I don’t feel the needles or think about diabetes, so it’s really the only time when diabetes isn’t the main focus in my life.”

When 18-year-old cellist Drake Driscoll’s father passed away, she was only 2 years old. While she may have already had some Obsessive-Compulsive tendencies, she explains that when she was in second grade, they noticed symptoms of severe Obsessive-Compulsive Disorder. She explains, “I was worried about my mom, and going to check on her at least 10 times a night – I was worried for her safety.” At that point, she entered therapy, but she credits music as one of the things that helped her. She says that music is a way for her to escape what she’s feeling and achieve some control over her OCD.

17-year-old violinist Rose Moerschel and her twin sister have both struggled with anorexia in their young lives. While Rose has been able to get her disease under control, it can be really difficult for her to watch her twin sister, who is still struggling. She says that music has helped; “It lets me escape from that whole lifestyle.”

When 18-year-old violinist Joy Kuo came to Walnut Hill School for the Arts last year, she really missed home. While many of the boarding students at Walnut Hill can contact their parents and family quite easily, Joy’s family is in Taiwan where the time difference makes it difficult to find a good time to connect. While she misses her family very much, she says she uses practice time to help her take her mind off of it. She says, “I just go to practice and I think that if I play well or do great, they are proud of me, that my family can be proud of me.”

We would like to hear from you about this. How has music helped you get through a tough time?


5 months ago | |
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Thomas West had quite the experience when he appeared on our live taping of From the Top in 2012.

Thomas West on From the Top 2012

While singing to a sold-out audience for a live radio taping was a highlight for him, one of the most remarkable moments was a smaller, more intimate performance at Dalewood Middle School. From the Top’s education staff organized an outreach event at the Chattanooga middle school for the performers to put their arts leadership training into practice. There, Thomas and his fellow performers witnessed first-hand how arts programs struggle to stay alive in many schools.

Thomas remembers the experience vividly: “It was there that I saw a room full of girls and boys eager to learn about and play music, but hardly anything to accomplish this desire. It tore at my heartstrings to see so many kids only a few years younger than me never getting the same opportunities I had to play music on a day-to-day basis. I realized then that something needed to be done, and I had just been handed a chance to champion that need.”

That realization sent Thomas on a journey to make a real difference in his own community. He quickly recruited three friends – Ralston Hartness, Megan Daniel, and McKenna Quatro – to become part of his project called “Let Beauty Awaken.” Their idea: give other teen artists in the Chattanooga area a chance to help by sharing their talents on a CD that would be sold to raise funds for local schools’ music programs.  The team even planned and sold tickets to a CD release party at the Chattanooga Theatre Center as an additional fundraiser.

Let Beauty Awaken

Fast forward to 2014. We featured Ralston Hartness in a guitar quartet on our recent taping in Chattanooga, and he and Thomas brought us up to speed on their amazing work in the area.

Thomas and Ralston

After raising over $14,000 for local schools with “Let Beauty Awaken,” the teens created the non-profit organization ReGenerate, an arts leadership program for and by students in Chattanooga. The organization is training other young arts leaders to find their own pathways to make a difference in their community. They are continuing to fundraise for arts programs and making the decisions about how best to fund local arts programs.

Ralston and the other From the Top performers visited East Lake Elementary School and Calvin Donaldson Elementary School the day after their performance at the Tivoli Theatre. Ralston found the experience as impactful as Thomas had found his outreach visit back in 2012. Ralston tells us he is inspired to redouble his efforts with ReGenerate: “My hope is to pour into ReGenerate and Chattanooga schools so that when I leave, the efforts can continue with students here for years to come. I’ve been excited about giving our money out to schools, but never more than now. Now that I have seen the programs at East Lake and Calvin Donaldson Elementary Schools I really want to give out the money!”

You can hear Ralston’s guitar quartet’s performance on From the Top’s broadcast during the week of February 24. Visit www.fromthetop.org to listen online or check your local NPR listings.

For more on Thomas West and the ReGenerate project, visit Thomas’ website, or check out the ReGenerate facebook page.


5 months ago | |
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Each of the performers on Show 280 attended an Arts Leadership Orientation Workshop, where they explored their own personal leadership pathways. Learn how they are taking their music beyond the concert hall in their own communities:

Hannah Wang is reigniting an idea that she tabled in the fall. She plans to bring together local musicians for a jam session and instrument petting zoo at a local park or school in the spring or summer.

Clara Gerdes wrote us an email about her plans to visit a local assisted living facility:

“For an arts outreach activity, I would like to organize some friends and acquaintances with whom I often sing and play instruments to do a few informal concerts at a nursing home early next month.  We would present a variety of different styles of music, from classical to folk, and include some familiar songs the residents could sing along to–this is something I’ve noticed elderly people often really respond to and enjoy.  Also, I would like to go in the weeks after Christmas and New Year’s; many places seem to get a lot of attention before but not right after the holidays. “

Qing Yu Chen will be organizing a visit to a retirement home in New York City in the springand she hopes to involve other From the Top Alumni. Currently in the initialn planning stages, she is thinking over the goals and gameplan for her project as well as brainstorming the resources she would need to make it happen.

Olivia Staton has jumped into her own arts leadership projects since the taping. Through the music honor society at her school, she began assisting with an after-school music program in a local elementary school. The program, called Bridges, provides group music lessons and ensemble rehearsals. Recently, she demonstrated flute and assisted with one of their band rehearsals, and she envisions extending the program to other area elementary schools.

She said of the experience: “Until From the Top I had not really realized the significance of promoting classical music, and I had not really thought about what I could do to help, but now I am so excited to be doing more arts leadership activities.  Especially since there are opportunities for me to do so in my neighborhood!”

Olivia also performed in a student recital at a retirement home and took the lead in initiating an engaging conversation after the performance when everyone was afraid to speak. Following the performance, she said, “the audience seemed very engaged and happy to speak with all of the musicians and then they asked if we would be able to come back to give another recital!”


7 months ago | |
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ChristopherORiley_MamuyaWhat do you think audiences enjoy the most about From the Top?

The kids on From the Top are inspirational musicians who share wonderful performances and they also share their passions for all kinds of pursuits that make them outstanding human beings. That is very captivating for listeners across the country.

How did you first get involved with From the Top? 

When Co-Founders Gerald Slavet and Jennifer Hurley-Wales were first putting From the Top together as a radio show, they caught a CBS Sunday Morning interview with me in which I was talking about rap group Run-DMC. They realized that we shared a passion for the future of classical music and a connection to New England Conservatory (I am a graduate), and that I was someone who could relate to the young guests on the show.

I jumped at the opportunity to be a part of this project – I had noticed a decline in attendance in classical concerts across the spectrum of American cities and all venues, orchestral and otherwise, and I additionally noted the scattershot way that lots of arts organizations were seeking to revitalize interest in classical music, particularly with young listeners. My expectation of the show at that time was that it could be a vital and potentially transformative force in the music world, and after more than a decade on the air that expectation has been and continues to be soundly fulfilled.

Why do you continue to be part of From the Top after so many years?ChristopherORiley_Ellsworth

There’s an energy and excitement to playing with kids who are this fresh and excited about music. I find the collaborations with each of the young performers on our show to be some of my most rewarding performance opportunities.

In addition, over the last several years, From the Top has evolved to become more than a radio show. At each tour location, the performers on our show take part in an Arts Leadership Orientation Workshop where they explore their leadership pathways. They then put those new skills to the test in outreach events for audiences as varied as elementary school children and senior citizens, in venues from Boys & Girls Clubs to assisted living facilities. It is invigorating to be part of an organization that is always working to bring music to more people.

How do these talented young musicians inspire you?

It’s inspiring to be around the next generation of great musicians. From the young violinist living on a ranch in South Dakota, to the teenage soprano from upstate New York, there’s an extraordinary level of musicianship and musical training in every corner of this country. It’s exciting to see what the cohort of performers on each new show has to offer.

I’m also impressed by the performers’ dedication to promote classical music in their own communities. After they appear on the show and take part in the workshop, many of them are inspired to create their own way of using music to help others. Performers have created summer music programs, fundraised for tsunami victims, and played for retirement communities and senior centers.

What is the most surprising moment you have experienced while taping a From the Top performance?

That would have to be in preparing for a performance of a very difficult work by Paul Schoenfield with 13-year-old violinist, Bella Hristova, and noting that not only had she mastered and memorized the piece, but she could start at any measure number I could name. That’s scary (powerful) stuff.

How would you compare your own experience of being a young musician with the performers featured on From the Top?

I look back on my childhood and think, man, I wish From the Top was around when I was growing up! I didn’t have these kinds of performance opportunities, or the contact with my peer musicians. I was playing classical piano, and although music was something that I wanted to do all the time, I had to shift a little bit, so in sixth grade I started a rock band – I thought maybe the girls would like me better. It didn’t help.

Music can be a solitary pursuit – you toil away in practice rooms and go to lessons and rehearsals. Many kids feel that they can’t talk to their friends about what they are doing. From the Top creates a needed community for these kids. They get to share their thoughts about putting this music together, why they think it’s great, why they think that other kids should enjoy this kind of music, and why it’s made such a difference in their lives.

How do you spend your time when you are not on the road with From the Top?

ORiley_TermineI spend a great deal of time on the road. Earlier this year, I performed at Yoshi’s in San Francisco in support of my latest release on Oxingale Records, O’Riley’s Liszt. The concert promoter brought in several From the Top alumni who surprised me with a performance. It was very touching!

I really enjoy the collaborative process and spend much of my time working with musicians around the country whom I respect. Cellist Matt Haimovitz and I collaborated to record Shuffle. Play. Listen. and toured extensively in support of that album. I’m looking forward to working with him again when we will return to the National Music Museum in Vermillion (where we taped From the Top in September) to record the Beethoven Cello Sonatas on some of their period instruments.

When I do have some downtime at home, I love spending time with my fiancé and our many cats. Each of my cats has a very distinct personality, and I find my time with them both relaxing and energizing.

If you could describe your experience with From the Top’s young artists in three words, what would they be?

Thanks for everything.


8 months ago | |
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The Blount-Slawson Young Artists Competition, offering a total of nearly $17,000 in prizes, will be held in Montgomery, Alabama, January 25 and 26, 2014.

Instrumentalists (except organ) in grades 7 – 12 who live and attend school in the United States are eligible to compete.

First Prize:  $10,000, an appearance with the Montgomery Symphony and an appearance on From The Top
Second Prize:      $4,000
Third Prize:          $1,000
Fourth Prize:           $500
Five Merit Prizes:    $250

Competitors may also use their performance in the preliminary round as their audition for the 2014 BUTI.  See the website for specifics.

New this year! Apply online: http://www.montgomerysymphony.org/comp_Blount_Application.htm

All of the details regarding the competition and the application process and forms can be found on at http://www.montgomerysymphony.org. Questions may be sent to montgomerysymphony@gmail.com.


8 months ago | |
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Wilfred Mamuya, Hilary Kassler, and Hope Baker celebrate together after the show. Photo by Caitlin Cunningham.

From the Top was on the road last month, hosting several special events for board members, donors, and friends.

On October 6, more than 100 guests joined From the Top performers and Christopher O’Riley for a private reception following a live taping in Boston at New England Conservatory’s Jordan Hall.

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Elizabeth Lodal, Sharon Percy Rockefeller, and Gail West enjoy an evening of music. Photo by The Documentist

On October 22, 65 guests gathered with Christopher O’Riley and From the Top alumni at the home of Jan and Elizabeth Lodal in McLean, Virginia. The event was co-hosted by From the Top corporate sponsor Glenmede, an investment, fiduciary, and wealth advisory firm. This was the seventh in a series of events that From the Top has hosted with Glenmede offices throughout the nation.

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Hosts Jan and Elizabeth Lodal with From the Top performers Sterling Elliott, Avery Gagliano, and Ren Martin-Doike. Photo by The Documentist

Guests enjoyed performances by From the Top alumni 12-year-old Avery Gagliano, 14-year-old Sterling Elliott, 22-year-old Ren Martin-Doike, and host Christopher O’Riley. Christopher spoke with Avery about how the book The 7 Habits of Highly Effective Teens by Sean Covey has helped her manage an incredibly busy schedule. Sterling shared that, as the last child to be born in the Elliott family, the only instrument left in the family quartet was cello, hence, he is a cellist (and a pretty fantastic one). Ren talked about how her affiliation with From the Top for many years has helped her take music beyond the concert hall and develop mentorship programs for other young musicians, both in her hometown in Hawaii and at the Curtis Institute of Music.

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Pianist Brenda Kee and Wayne Brown, Music and Opera Director at the National Endowment for the Arts. Photo by The Documentist

That evening, guests included Stuart Haney of the Jack Kent Cooke Foundation and his wife Paula; Wayne Brown from the National Endowment for the Arts and his wife Brenda Kee; Sharon Percy Rockefeller of classical music and television station WETA, along with several members of the WETA Board of Trustees; and Arnold Polinger from the Howard and Geraldine Polinger Family Foundation and his wife Diane.

A week later, From the Top was off to New York City for an event at the home of Bethany and Robert Millard. More than 45 donors and friends enjoyed performances by From the Top alums Elli Choi, Patrick McGuire, and Brian Ge on October 30.

12-year-old violinist and jetsetter Elli Choi had just returned from Switzerland, where she had been attending a music festival supported by From the Top’s Jack Kent Cooke Young Artist Award. Patrick McGuire, a 23-year-old cellist, shared how his passion for music, mentorship, and international relations has led to musical projects in Tanzania and Tunisia. 16-year-old Brian Ge talked about the important role music plays in his life, even though he plans to pursue other interests in college.

The evening’s guests included From the Top Artistic Advisor and President of The Juilliard School Joseph Polisi and his wife Elizabeth; From the Top Overseer and MSNBC President Phil Griffin and his wife Kory Apton; Jean Fitzgerald of U.S. Trust, Bank of America Private Wealth Management; Randy Harris from the Edward T. Cone Foundation; and Dr. Mark Siddall of the American Museum of Natural History.

From the Top’s most recent event followed a sold out live taping at Bing Concert Hall on the campus of Stanford University in California. On November 10, nearly 60 guests joined From the Top performers and Christopher O’Riley for a private reception  – generously hosted by Helen and Peter Bing – following the show.

To view photos from our event in Boston, Massachusetts, click here.

To view photos from our event in McLean, Virginia, click here.

Upcoming private events for donors and friends are planned in Boston, Massachusetts, and Southern Florida. With questions or for more information, please contact give@fromthetop.org.


9 months ago | |
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Vietnam was the unlikely location where violist and Princeton Sophomore Devon Naftzger (Show 256) of Lincolnshire, IL had a profound musical experience brought about when she played her viola for a classroom of Vietnamese students. This past summer, Devon participated in a three-week program called Coach For College which brought her to southwestern Vietnam and the rural village of Hoa An located in the Mekong River Delta region.

Devon performs for students in Vietnam, modeling how hard work can pay off in the long run.

Devon performs for students in Vietnam, modeling how hard work can pay off in the long run.

Devon taught everything from English to volleyball at a Vietnamese summer day camp where kids studied academics and sports. At the end of the day she loved teaching what they called a “Life Skills” class.

“I loved incorporating playing my viola into my teaching,” Devon recalled. “The Vietnamese children had never heard any stringed instrument played live and they had never attended a music concert. A lot of children worked in the rice fields with their parents when they weren’t at school, so none of my students had the time or money to pursue hobbies like music. We had a rowdy group of kids who were getting to the fun age where they like to challenge authority, but everything changed the week I brought out my instrument. They were completely silent because they were so intrigued to hear me play, and I gained so much respect after I played for them.”

In her Life Skills class, Devon launched a discussion on the topic of “setting little goals to achieve big dreams.” They discussed the perseverance and dedication it takes to reach those goals, especially when you have setbacks. “ I thought this topics related perfectly to my experience with music, so I did a little demonstration. The older Vietnamese college students, fluent in English, translated.  “You can’t just pick up a violin for the first time and expect to play the toughest concerto right away,” I explained. “Instead you have to start with baby steps and pick up different techniques through easier pieces.”  To demonstrate she played the first piece she performed when she was 5 years old: ‘Twinkle Twinkle Little Star.’

“I explained that I started learning classical music, but had to take it slowly. I played Bach’s Transcribed Cello Suite No. 1 Prelude. They ‘oohed’ and ‘aahed’.  Next I played a movement that was a little faster, telling them that I had to learn all kinds of different bow strokes and finger patterns before I could learn a piece that incorporated many of them: Paganini’s La Campanella.  After playing them a showy passage from Preludium and Allegro (which I performed on From the Top Show 256) I told them that after you’ve put in all the hard work, then you can play things simply because they are fun.  I finished with a fiddle tune, which they danced to excitedly.”

Devon also described how many hours a day she spends practicing, and how many years she’s played without giving up. She told them about competitions she lost which crushed her. “I turned those losses into a positive motivator that made me want to practice harder,” Devon shared. “That resulted in winning some competitions, achieving my dream of performing at Carnegie Hall, and getting into Juilliard. And it was all because I started slowly all the way back at ‘Twinkle Twinkle’!”

Back at Princeton this fall, Devon plays in the Princeton University Orchestra and last year she participated in a string quartet as well.


9 months ago | |
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 229Chason Goldfinger, 17, composer
String Quartet No. 1, Elemental, Op. 15
IV. Salamandrae (Fire)

Fire is very much about the element itself of fire. When I was thinking fire, and like fire, it has some semblance of order – it consumes, but not radially.  It expands and moves in different directions with the fuel  and so it also feels a little chaotic. To get that feeling, I created this little tiny motive that starts in the beginning and if the piece is played really well, the audience should feel the intensity of rushing really fast somewhere to get away from the burning sensation especially when contrasted with the movement before it.  That original motif goes a way and this sort of Gypsy like tone comes in for the middle section. That section first comes in with a high and graceful violin and it’s strange and it’s pulse is quickening. And with the fire, while you’re not touching it, you feel the fire stinging your face and you feel the heat and the light.  The light is as important as the heat in the movement.  If you’re approaching the movement coming out of the rest of the quartet, it has this nice element of surprise—with this jarring classical structure.  And then it should feel over before it’s happened.
Fire in particular, it is certainly fun to play.  I’ve played it.

A favorite memory or highlight:
There were so many but probably the SHOW! But something like the jam session was awesome!

What do you believe music has the power to do?
Music has the power to CHANGE LIVES!!

Sein An, 15, violin 120
Havanaise in E Major, Op. 83
By: Camille Saint-Saëns (1835–1921)

On the Saint-Saëns Havanaise
This is the piece I’ve always wanted to play from my childhood. It’s not as well-known as the other Saint-Saëns works, but it’s something I’ve always listened to before I was learning it because I loved the Spanish style. I’m so happy that I get to play this piece. I’m trying to communicate the rhythm of it –  it’s kind of dance-like, the style of it. I want to get the audience to listen to the style of it. The hardest part is getting the right mood and style. It’s technically challenging, so you want the technical part and the musical part to blend together.

A favorite memory or highlight:
This is very EASY for me to answer. Phone call from Janine Jansen. <3 Thank you!

What do you believe music has the power to do?
Music has the power to make you realize the beauty of everything, not only in music, but also in the life of Beethoven! Or just anything.

 75Patrick Pan, 15, piano
II. Scherzo: Allegretto vivace
from Sonata No. 18 in E-flat Major, Op. 31, No. 3 “The Hunt”
By: Ludwig van Beethoven (1770–1827)

On the Beethoven piece he will perform on the show:
I picked up the piece a couple months ago and it’s really exciting. It’s the second movement of a Beethoven sonata and the entire sonata works with the title called The Hunt. It has a jovial character but also in some places has that signature of the Beethoven forte and it’s very representative of this cheeky and playful character. Of course that’s Beethoven’s signature style– intermixing of that genius with classical style.

A favorite memory or highlight:
Jam session just minutes before the show started.

What do you believe music has the power to do?
Music is truly a universal language that can make friends from enemies and really bond anybody.

Quartet Lumiére 221
String Quartet No. 1 in G minor, Op. 26
I. Un poco andante – Allegro molto ed agitato
By: Edvard Grieg (1843–1907)
AND
String Quartet No. 1, Elemental, Op. 15
IV. Salamandrae (Fire)
Chason Goldfinger (b. 1996)

On the Grieg String Quartet:
Rebecca Benjamin: I think definitely the piece that we most got into was the Grieg. It was so powerful. In rehearsal it was so big and grand, so it was really exciting to get to share that with everybody. It was a piece that we all really connected to and felt so strongly about.
Mira Williams: I think definitely the Grieg was kind of our showpiece. Exciting and powerful. There’s a bit at the end where Josiah has the solo, and me, Gallia and Rebecca have harmonics, or tremolos, and it sounds really cool and he comes in with the solo. The whole piece before that moment is very intense and dramatic, and then that part is dramatic too but in a very different way.
Josiah Yoo: I think since Grieg is kind of nationalistic folk music, the whole piece almost sounds like a superhero, action kind of story. At the beginning, and when the beginning comes back, I can picture a superhero over a town or something, and then when it gets to the second melody, it’s pleading and in pain and almost desperate. At that point, it’s kind of like the people are in distress, and they have no help and they’re kind of doomed. But the hero seems to come back in different parts of the piece.

On the Goldfinger Quartet:
Gallia Kastner: The fourth movement is really cool. It kind of reminds me of that modern, Shostakovich feel. It’s something really out there – it’s very cool. I’ve never played anything like it. It’s very interesting. Sometimes it gets a little wacky, a little weird in some places, but I think that’s what makes the piece stand out. This young composer, whoever he is, I think he’s amazing. He composed something this complex and this hard. Learning these notes is difficult, at least for the first violin part. I think it’s definitely really cool and I enjoyed learning it.
Rebecca Benjamin: I think it’s a very unique piece in really remarkable kind of style. It seems very quirky to me but at the same time it’s genius. The 4th movement which we performed is the fire element and I think Chason captured that very well in the piece. It’s kind of chaotic, very loud and harsh. It was really fun to play, and wonderful being able to work with the composer himself.

Gallia Kastner, 16, violin

A favorite memory or highlight:
Coming back to the show with my quartet and playing Chason’s piece

What do you believe music has the power to do?
It has the power to save lives. Changes someone’s perspective about classical music and their own life.

Rebecca Benjamin, 18, violin

A favorite memory or highlight:
The opportunity to be together with my quartet again and play together on the show was an experience I’ll never forget. It had always been a dream of mine to be on From the Top and I can’t imagine a better experience than I had with my quartet.

Jamming backstage before the show was so fun!

Playing Chason’s piece on the live show was amazing.  There was so much energy and enthusiasm that night. I had never played a modern piece when the composer was present – LOVED the experience!!! It made me want to do more of that in the future.

What do you believe music has the power to do?
Music has the power to change lives. It can bring so much encouragement and joy to others.

Mira Williams, 15, viola

A favorite memory or highlight:
-our performance of Chason’s piece
-the mini jam session backstage

What do you believe music has the power to do?
-connect anyone and everyone
-evoke intense emotions…

Josiah Yoo, 15, cello

A favorite memory or highlight:
Improv just before the show ?

What do you believe music has the power to do?
Change a life.
Change every life.


9 months ago | |
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