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Daniel Catan, March 2011
I first met Daniel Catan in 1982 when I was called on to play a new piece he had written, a pastorela, or Christmas play. I can't even recall the name, nor could Daniel when I mentioned it to him years later.
"Very nice piece," I told him, and it was. There was considerable craft, in the style on that day of Stravinsky.
"Oh, I don't write that way any more," replied
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