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Clarke Bustard
The Virginia Classical Music Blog
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“The viola player Kim Kashkashian won a Grammy [Award] for Best Classical Instrumental Solo,” Norman Lebrecht writes on his Slipped Disc blog. “US mass media got excited,” mistaking Kashkashian, who describes herself as a “middle-aged mother and classical musician,” for pop celebrity Kim Kardashian, whose, um, instrument is not the viola.
2 months ago | |
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The Richmond Symphony and its Richmond Symphony Youth Orchestra, Virginia Repertory Theatre, Richmond Jazz Society, Ezibu Muntu African Dance, Elegba Folklore Society and the ART 180 youth art program will collaborate in Celebrate Jackson Ward: Past, Present and Future, a festival running from May 20-22 in Abner Clay Park, West Clay Street at Brook Road in the central city’s historic Jackson Ward neighborhood.

Performances will employ the symphony’s recently acquired “Big Tent” portable concert stage, which also is being used for the RVA East End Festival, May 6-8 in Chimborazo Park.

Events in the Jackson Ward festival include ART 180’s spring program celebration, “The Really BIG Show,” on May 20; performances for children and families by the symphony and youth orchestra, theatre and companies and community artists and groups on May 21; and an ecumenical service and performances by church choir and liturgical dancers from Jackson Ward churches on May 22.

All events are free. Food, beverage and other vendors will be open in the park.

Celebrate Jackson Ward sponsors include The E. Rhodes and Leona B. Carpenter Foundation, Genworth Financial, Richard and Caroline T. Gwathmey Memorial Trust, Beirne Carter Foundation and City of Richmond.

For more information on the festival, visit http://www.richmondsymphony.com/education-engagement/celebrate-jackson-ward/
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A program guaranteed to make us all feel like under-achievers: Every one of these works was written by a composer in his teen-age.

Feb. 25
10 a.m.-1 p.m. EST
1500-1800 UTC/GMT
WDCE, University of Richmond
90.1 FM

Mozart: “Exsultate, jubilate”
Emma Kirkby, soprano
Academy of Ancient Music/
Christopher Hogwood
(L’Oiseau Lyre)

Schubert: Symphony
No. 2 in B flat major
Orchestra of
the 18th Century/
Frans Brüggen (Philips)

Mahler: Piano Quartet
in A minor
Daniel Hope, violin
Paul Neubauer, viola
David Finckel, cello
Wu Han, piano
(Deutsche Grammophon)

Beethoven: Piano Concerto in E flat major, WoO 4
Ronald Brautigam, piano
Norrköping Symphony Orchestra/
Andrew Parrott (BIS)

Mendelssohn: Double Concerto in D minor
Kristian Bezuidenhout, fortepiano
Gottfried von der Goltz, violin & director
Freiburg Baroque Orchestra (Harmonia Mundi)

Past Masters:
Richard Strauss: Horn Concerto No. 1 in E flat major
Dennis Brain, French horn
Philharmonia Orchestra/
Wolfgang Sawallisch
(EMI Classics)
(recorded 1956)

Juan Crisóstomo Arriaga: Quartet No. 3
in E flat major
Guarneri Quartet
(Newton Classics)

“Rondo à la Krakowiak”
Garrick Ohlsson, piano
Polish National Radio Symphony Orchestra/
Jerzy Maksymiuk (EMI Classics)
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The late U.S. Supreme Court justice Antonin Scalia was widely known to be an opera lover – he and his ideologically odd-couple friend, Justice Ruth Bader Ginsburg, played silent walk-on roles in a 1994 Washington National Opera production of Richard Strauss’ “Ariadne auf Naxos,” and were the subjects of Derrick Wang’s comic opera “Scalia/Ginsburg,” introduced last year at Virginia’s Castleton Festival.

Bob Dylan was another of the justice’s musical inclinations – a much odder coupling ideologically, and perhaps a more resonant one.

Thanks in part to Scalia’s references to his lyrics in his writings, Dylan has become the most frequently quoted songwriter in judicial opinions, University of Tennessee law professor Alex B. Long wrote in his 2012 study “The Freewheelin’ Judiciary: A Bob Dylan Anthology.”

Long, however, tells The New York Times’ Adam Liptak that “[j]udges’ inclination to go to Dylan has actually increased in the past few years,” following Chief Justice John Roberts’ use of the phrase “when you got nothing, you got nothing to lose” from “Like a Rolling Stone,” in a 2008 opinion:


Liptak also notes a 2015 study finding 213 references to Dylan’s lyrics in medical research literature.
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My review for the Richmond Times-Dispatch of the Richmond Symphony and its principal oboist, Gustav Highstein, playing works by Richard Strauss, Beethoven and Stravinsky in a Metro Collections program at Randolph-Macon College in Ashland:

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Virginia Opera and the Virginia Symphony owe about $380,000 to the City of Norfolk for rental of the Harrison Opera House and Chrysler Hall, with some unpaid fees dating back six years. Officials of the arts groups blame financial and organizational stress from the recession years, Tim Eberly reports in The Virginian-Pilot:

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My review for the Richmond Times-Dispatch of members of the Chamber Music Society of Lincoln Center, playing Dohnányi’s Serenade for string trio and piano quartets by Beethoven and Dvorák at Virginia Commonwealth University:

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Roy Proctor’s review for the Richmond Times-Dispatch of the Virginia Opera production of Gounod’s “Romeo and Juliet” at the Carpenter Theatre of Dominion Arts Center:

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One of my favorite jokes about the economic travails of musicians . . . 

Q: What’s the first thing a trombonist says at work? 

A: You want fries with that?

. . . may have to be retired, thanks to Joseph Bastian, bass trombonist of the Bavarian Radio Symphony Orchestra in Munich. When Robin Ticciati, the guest conductor scheduled to lead this week’s concerts, called in sick, Bastian was tapped to conduct a program of Brahms, Berg and Elgar.

(via http://slippedisc.com)
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An opening-night program featuring violinist Itzhak Perlman, the return of former music director Jacques Houtmann and a complete performance of Berlioz’s “Romeo and Juliet” highlight the 2016-17 season of the Richmond Symphony.

Perlman, who celebrated his 70th birthday last summer, will play Mendelssohn’s Violin Concerto in E minor in the season-opener, Sept. 25 at the Carpenter Theatre of Dominion Arts Center (formerly Richmond CenterStage).

Other concerts in the Masterworks mainstage classical series will feature pianists Anton Nel playing Schumann’s Concerto in A minor and Rémi Geniet playing Chopin’s Concerto No. 2 in F minor, guitarist Jason Vieaux playing Dan Visconti’s “Living Language” (a work co-commissioned by the Richmond Symphony), cellist Gary Hoffman playing Elgar’s Concerto in E minor and violinist Jinjoo Cho playing Tchaikovsky’s Concerto in
D major.

Major orchestral repertory on Masterworks programs next season include Dvorák’s Seventh, Beethoven’s Eighth, Brahms’ First, Schubert’s “Unfinished” and Franck’s D minor symphonies; Stravinsky’s “Petrushka,” Bernstein’s Symphonic Dances from “West Side Story” and Richard Strauss’ “Don Juan.”

The Richmond Symphony Chorus, directed by Erin R. Freeman, will perform in Ralph Vaughan Williams’ “Dona nobis pacem,” Bruckner’s setting of Psalm 150 and the Berlioz in Masterworks programs, as well as Christmas-season performances of the “Let It Snow!” holiday pops program and Handel’s “Messiah.” Erin R. Freeman, the chorus’ director, will conduct “Messiah.”

Two symphony principals will perform as soloists in Metro Collection concerts at Randolph-Macon College in Ashland: Concertmaster Daisuke Yamamoto in Astor Piazzolla’s “Four Seasons of Buenos Aires” for violin and orchestra, and principal timpanist Jim Jacobson in Johann Carl Christian Fischer’s Symphony in C major with eight obbligato timpani.

Metro Collection repertory also includes Beethoven’s Fourth, Schubert’s Fifth and Mozart’s “Jupiter” symphonies, Stravinsky’s “Danses concertantes,” Copland’s “Three Latin-American Sketches” and a suite from Purcell’s “The Gordian Knot Untied.”

Contemporary works on symphony programs next season, in addition to the Visconti, include Libby Larsen’s “Collage: Boogie,” Joan Tower’s “Chamber Dance,” Gabriela Lena Frank’s “Raíces” (“Roots”), Bruce Adolphe’s “Temporary Sue: a Cretaceous Concerto,” and “An American Port of Call” by Virginia-based Adolphus Hailstork. 

The symphony’s two casual-concerts series will return: Casual Fridays, presenting four talks on and performances of featured works in Masterworks programs, three with music director Steven Smith, one with Houtmann, at the Carpenter Theatre; and Rush Hour at Hardywood, presenting condensed versions of Metro Collection programs, staged at Hardywood Park Craft Brewery.

The Symphony Pops series features tributes to singers Whitney Houston and Barbra Streisand and film composer John Williams, as well as “Let It Snow!”

LolliPops family programs include “Magic at the Symphony,” “Princesses and Pirates – The Music of Disney,” “A Child’s Guide to the Orchestra, with Really Inventive Stuff” and the animated film “The Snowman.”

Chia-Hsuan Lin, the orchestra’s new associate conductor, will lead most Symphony Pops and LolliPops programs, as well as the spring concerts concluding next season’s Metro Collection and Rush Hour at Hardywood series. 

In addition to subscription packages for Masterworks, Casual Fridays, Metro Collection, Symphony Pops and LolliPops series, the symphony also is offering Soundwave, a $25 subscription for students, covering all Masterworks and Casual Fridays concerts.

For a season brochure or more information, call the symphony box office at (804) 788-1212 or visit www.richmondsymphony.com

The Richmond Symphony’s 2016-17 programs, with adult subscription and single-ticket prices:

at Carpenter Theatre, Dominion Arts Center, Sixth and Grace streets
Saturday subscription: $180-$562
Sunday subscription: $86-$270
Compose-your-own subscription: $23-$54 per ticket
Single tickets: $10-$80

Sept. 25 (7:30 p.m.)
Steven Smith conducting
Richard Strauss: “Don Juan”
Mendelssohn: Violin Concerto in E minor
Itzhak Perlman, violin
Bernstein: Symphonic Dances from West Side Story”
Enescu: “Romanian Rhapsody” No. 1

Oct. 22 (8 p.m.)
Oct. 23 (3 p.m.)
Steven Smith conducting
Libby Larsen: “Collage: Boogie”
Schumann: Piano Concerto in A minor
Anton Nel, piano
Dvorák: Symphony No. 7 in D minor

Nov. 12 (8 p.m.)
Nov. 13 (3 p.m.)
Steven Smith conducting
Berlioz: “Romeo and Juliet”
Kathryn Leemhuis, mezzo-soprano
Vale Rideout, tenor
Darren K. Stokes, bass-baritone
Richmond Symphony Chorus
Erin R. Freeman directing

Jan. 14 (8 p.m.)
Jacques Houtmann conducting
Wagner: “Tannhäuser” Overture
Chopin: Piano Concerto No. 2 in F minor
Rémi Geniet, piano
Franck: Symphony in D minor

Feb. 4 (8 p.m.)
Feb. 5 (3 p.m.)
Steven Smith conducting
Rossini: “Semiramide” Overture
Dan Visconti: “Living Language”
Jason Vieaux, guitar
Beethoven: Symphony No. 8 in F major

March 4 (8 p.m.)
Steven Smith conducting
Adolphus Hailstork: “An American Port of Call”
Tchaikovsky: Violin Concerto in D major
Jinjoo Cho, violin
Stravinsky: “Petrushka”

April 8 (8 p.m.)
April 9 (3 p.m.)
Steven Smith conducting
Schubert: Symphony No. 8 in B minor (“Unfinished”)
Bruckner: Psalm 150
Vaughan Williams: “Dona nobis pacem”
Michelle Areyzaga, soprano
Kevin Deas, bass-baritone
Richmond Symphony Chorus
Erin R. Freeman directing

May 13 (8 p.m.)
Steven Smith conducting
John Knowles Paine: “Oedipus Tyrannus” Overture
Elgar: Cello Concerto in E minor
Gary Hoffman, cello
Brahms: Symphony No. 1 in C minor

3 p.m., Blackwell Auditorium, Randolph-Macon College, 205 Henry St., Ashland
Subscription: $70
Single tickets: $22

Oct. 16
Steven Smith conducting
Copland: “Three Latin-American Sketches”
Astor Piazzolla: “Four Seasons of Buenos Aires”
Daisuke Yamamoto, violin
Silvestre Revueltas: “Alcancías”
Gabriela Lena Frank: “Raíces” (“Roots”)

Jan. 22
Steven Smith conducting
Gluck: “Orfeo ed Eurydice” Overture
Joan Tower: “Chamber Dance”
Purcell: “The Gordian Knot Untied” Suite No. 1
Schubert: Symphony No. 5 in B flat major

Feb. 19
Steven Smith conducting
Bruce Adolphe: “Temporary Sue: a Cretaceous Concerto”
Johann Carl Christian Fischer: “Symphony with Eight Obbligato Timpani”
Jim Jacobson, timpani
Beethoven: Symphony No. 4 in B flat major

April 30
Chia-Hsuan Lin conducting
Handel: “Solomon” – “Entrance of the Queen of Sheba”
Stravinsky: “Danses concertantes”
Beethoven: “The Creatures of Prometheus” Overture
Mozart: Symphony No. 41 in C major, K. 551 (“Jupiter”)

6:30 p.m., Carpenter Theatre, Dominion Arts Center, Sixth and Grace streets
Subscription: $90-$180
Single tickets: $10-$50

Sept. 30
Steven Smith conducting & speaking
Richard Strauss: “Don Juan”
Bernstein: Symphonic Dances from West Side Story”

Jan. 13
Jacques Houtmann conducting & speaking
Franck: Symphony in D minor

March 3
Steven Smith conducting & speaking
Stravinsky: “Petrushka”

May 12
Steven Smith conducting & speaking
Brahms: Symphony No. 1 in C minor

6:30 p.m., Hardywood Park Craft Brewery, Overbrook Road at Ownby Lane
Single tickets: $15

Oct. 13
Steven Smith conducting
Daisuke Yamamoto, violin
music by Copland, Piazzolla, Revueltas, Frank

Jan. 19
Steven Smith conducting
music by Gluck, Tower, Purcell, Schubert

Feb. 16
Steven Smith conducting
Jim Jacobson, timpani
music by Adolphe, Fischer, Beethoven

April 27
Chia-Hsuan Lin conducting
music by Handel, Stravinsky, Beethoven, Mozart

at Carpenter Theatre, Dominion Arts Center, Sixth and Grace streets (unless listed otherwise)
Subscription: $86-$270
Single tickets: $10-$80

Oct. 29 (8 p.m., Altria Theater, Main and Laurel streets)
conductor TBA
Rashidra Scott, vocalist
“Windborne’s Music of Whitney Houston”

Dec. 3 (8 p.m.)
Dec. 4 (3 p.m.)
Chia-Hsuan Lin conducting
Richmond Symphony Chorus
Erin R. Freeman directing
“Let It Snow!” holiday program

Jan. 21 (8 p.m.)
Chia-Hsuan Lin conducting
“The Genius of John Williams”

March 11 (8 p.m.)
Chia-Hsuan Lin conducting
Ann Hampton Calloway, vocalist
“The Streisand Songbook”

11 a.m., Carpenter Theatre, Dominion Arts Center, Sixth and Grace streets
Subscription: $42 (adult), $34 (child)
Single tickets: $17 (adult), $12 (child)

Oct. 1
Steven Smith conducting
Lyn Dillies, magician
“Magic at the Symphony”

Nov. 26
Chia-Hsuan Lin conducting
“The Snowman,” animated film with orchestral accompaniment

Jan. 28
Chia-Hsuan Lin conducting
“Princesses and Pirates – The Music of Disney”

March 25
Chia-Hsuan Lin conducting
Sara Valentine, actor
“A Child’s Guide to the Orchestra, with Really Inventive Stuff”

Single tickets: $20-$50

Dec. 3 (7:30 p.m., Carpenter Theatre, Dominion Arts Center, Sixth and Grace streets)
Erin R. Freeman conducting
Handel: “Messiah”
soloists TBA
Richmond Symphony Chorus
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