“Up until recently, I’d always found op.130 (and its last movement op.133) the hardest Beethoven quartet to understand. It’s the first, 3rd, 4th and last movements (the Grosse Fugue) that were particularly enigmatic to me. I didn’t understand the connections between movements, the tonality relationships, what the characters are, and the meaning of this 15 minute relentless fugue that ends it. The fugue seemed an intellectual tour de force to me, but without the incredible depth of emotion there is in all of Beethoven’s other music. However I was convinced that this must be from my own lack of understanding rather than Beethoven’s fault! We’ve just had a week of rehearsals to really get to grips with it, so this was the perfect opportunity for me to immerse myself in the op.130 world and find my way into it….”
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