Jacaranda's 10th anniversary season continues on Saturday, February 22, 2014 with a dinner break — a break that separates the performances of two 20-movement mid-twentieth-century masterworks by John Cage and Olivier Messiaen. Each cycle is played by an American pianist with whom the music has become synonymous: Adam Tendler and Christopher Taylor, respectively. The consecutive concerts (Tendler at 5:00 p.m. and Taylor at 7:30 p.m.) will take place at First Presbyterian Church of Santa Monica, 1220 Second Street, Santa Monica, CA 90401.
Jacaranda’s first decade gave extensive attention to the centenaries of Messiaen (1908-92) and Cage (1912-89). As a nod to that legacy, artistic director Patrick Scott chose for the 10th anniversary two works for solo piano that link the composers after World War II: Cage’s “Sonatas& Interludes” (1946-48) for prepared piano, and Messiaen’s “Vingt Regards sur l'Enfant Jesus” (1944). Both works were influenced in very different ways by the philosophy and music of India. Cage performed his cycle for Messiaen in Paris in 1949, and Messiaen reciprocated with a performance of his cycle by Yvonne Loriod, the work’s extravagantly talented dedicatee, who would eventually become Messiaen’s wife.
Tendler, described as "an exuberantly expressive pianist" who "vividly displayed his enthusiasm for every phrase" by Los Angeles Times music critic Mark Swed, will perform the 60-minute Cage work at 5 p.m. without pause and from memory. Recognized by the American Pianists Association, Tendler has performed modern American piano music in all of the United States.
After a dinner break, Taylor, bronze medalist at the 1993 Van Cliburn International Piano Competition and called "one of the most impressive young pianists on the horizon today" by the Washington Post, will perform the two-hour Messiaen work from memory at 7:30 p.m. with an intermission. Taylor’s "...blazing performance of Messiaen's [''Twenty Ways of Looking at the Infant Jesus'']… is likely to stand as a point of reference for many seasons to come," wrote the Boston Globe.
The massive piano masterpiece has additional significance for Jacaranda. Messiaen’s work was the centerpiece of a one-off, three-concert celebration organized in 2002 by series founders Scott and Mark Alan Hilt to observe the 10th anniversary of the composer’s death. The mini-festival’s location was First Presbyterian Church of Santa Monica, where Hilt would soon be appointed Music Director. The enterprise grabbed the attention of the Los Angeles Times’ Swed, who noted that, while there had been an abundance of Messiaen tributes in the world’s major cities, only the enterprising duo ventured a Southern California tribute. Nine months later, Jacaranda was born.
General admission tickets for either of the February 22 Cage/Tendler or Messiaen/Taylor concerts alone are $35; $20 for students. Admission to both concerts is $60; $30 for students. For tickets and a restaurant guide, as well as special Jacaranda food and beverage discounts, go to jacarandamusic.org. Tickets are sold online or at the door. Information: (213) 483-0216.
A 15-percent reduction to base and overscale salaries from 2012 levels in the contract’s first year. Minimum base salaries over the life of the contract of $96,824 (year one), rising to $99,008 (year two) and $102,284 (year three).
A number of musician positions remaining vacant through the life of the contract, with an agreement to add seven members over three years, which will increase the size of the Orchestra from its current 77 members to 84. The agreed optimal size of the ensemble remains 95 members.
Musicians agreeing to pay a significantly greater portion of health insurance costs.
Revenue sharing, based on the performance of the Orchestra’s endowments. If the endowments average a 10-percent return over the three years of the contract, musicians are eligible to receive investment returns exceeding 10 percent up to a cap of 5 percent of their base salary for each year of the agreement.
Management significantly reduced the number of work rule changes it originally requested and musicians agreed to a series of innovative rule changes, designed to give the organization more flexibility in scheduling concerts and providing community outreach.
The agreed-upon changes include:
the ability to offer chamber music and outreach performances without additional pay
an increase in the number of weekend rehearsals and concerts allowed
the ability to offer New Year’s Eve and/or New Year’s Day concerts
an increase in concert length up to 2 ¼ hours when needed
changes in the way overtime is calculated
Mutual agreement on the organization’s classical music focus, with a guaranteed minimum of 20 weeks of classical performances each year.
Quarterly meetings between the Board chair and leadership with musicians to build trust and foster open communication.
The agreement continues to rank the Minnesota Orchestra among the “Top Ten” orchestras in the nation according to pay scale, which was a key musician priority.
"InstantEncore made launching a mobile app seem effortless."