Villa-Lobos comments on the issues of the time, welcomes the Brazilian people, declares his love for the homeland - Rio de Janeiro - and talks to the journalist while the orchestra rehearses the presentation of more. In the audio that is now part of the MEC FM radio collection, Villa-Lobos demystifies the creation process. "This business of coming inspiration does not exist in me. I was born inspired already. Either I do a good thing, or I do crap. But this business of me looking for inspiration, letting hair grow to have inspiration, drink, it does not exist in me. I write when I need to.
That year  we spent the summer together in Lussac-les-Châteaux. We found a place to stay above a kind of pâtisserie that only opened on high days and holidays. Our rooms looked out over the garden at the back and were divided by a wooden panel that was so insubstantial we could chat to one another through the wall till the early hours. Villa planned to amuse himself by constructing a fleet of kites, so we’d arrived laden down with enormous lengths of bamboo, rope and sheets of paper: the lady who owned the shop below thought we must have been members of a circus ... The day he flew the first kite (designed in the shape of a huge fish), it was caught by a sudden gust of wind just as he was launching it, and went up like a rocket; it dragged Villa along for several metres before I managed to cut its ropes. The kite came down three or four kilometres away: after that experience his “great beasts” frightened me. I suggested to him that in future he should tie them to a tree, for safety’s sake, and he agreed. Those kites were great fun for the people of Lussac. Some days, Villa would play the guitar late into the night (I should point out we were the only people staying at the pâtisserie); that was when he had the idea of composing his studies for the instrument.
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