I am often asked if I am an “opera buff”. By the standards of the world in which I now work, I am not (although perhaps in 10 years I might make a claim!). But many of the people who make up our audience today are not “opera buffs”, and nor should they be. Our audience members have so many choices in what to do with an evening – to watch a series on Netflix, to meet friends for dinner, to go to a late night at a museum, or to one of the hundreds of live performances on each night in this city. We should not take their time, or money, for granted. It is our task to persuade them of three things – that opera is the most exciting art form of all, that seeing it live is an incomparable experience and that ENO is where they should see it.
...he can find a world of meaning within one quiet note, or spin a melodic line with a pianistic voice ranging from full-throated open clarity to a hushed “covered” tone that wouldn’t disgrace a top Lieder singer. The final recitative-like moment in the F minor Fantasy, before the music dissolves into its last soft whirlpool, hung in the air like a spectre – you hardly dared breathe.
“I’m incredibly disappointed to have to withdraw from what would have been my first ever Wagner opera. I was so looking forward to being reunited with David McVicar for the production and would like to wish the company all the best as they start rehearsals. It is my great wish to continue with my second engagement at this summer’s Festival, Béatrice et Bénédict; I’ve been advised that this is a realistic prospect and my attention is focused on achieving a swift recovery to fulfil this.”
"The Alabama Dance Festival mobile app from Instant Encore has greatly enhanced and improved the experience of our patrons and dance registrants. Info about performances, classes, locations, tickets, guest artists, faculty - everything you want to know about our multi-tiered event happening all over the city is now at your fingertips and always with you!"