Public libraries are an important part of our local communities. The Leadership for Libraries Taskforce was established in 2015 by the government and the Local Government Association. Its objectives are to support collaboration, best practice and development across England’s public library service.
The Arts Council’s recent decision to cut ENO’s subsidy by £5m a year and the financial crisis that that has created demands that we rethink and reassess what we do and how we do it. How we respond to this challenge will determine our future success. I believe a fresh approach will fail if it compromises the company’s experience and expertise. Without the commitment, sense of ownership, love, and pride of the people who are the essence of ENO artistically, we have no right to ask for any curiosity, loyalty, or passion from our audience. ENO’s identity as a team defines its past and will be its greatest asset in protecting its future. Cutting the core of the company – musicians and technicians alike - would damage it irreparably.
I am often asked if I am an “opera buff”. By the standards of the world in which I now work, I am not (although perhaps in 10 years I might make a claim!). But many of the people who make up our audience today are not “opera buffs”, and nor should they be. Our audience members have so many choices in what to do with an evening – to watch a series on Netflix, to meet friends for dinner, to go to a late night at a museum, or to one of the hundreds of live performances on each night in this city. We should not take their time, or money, for granted. It is our task to persuade them of three things – that opera is the most exciting art form of all, that seeing it live is an incomparable experience and that ENO is where they should see it.
...he can find a world of meaning within one quiet note, or spin a melodic line with a pianistic voice ranging from full-throated open clarity to a hushed “covered” tone that wouldn’t disgrace a top Lieder singer. The final recitative-like moment in the F minor Fantasy, before the music dissolves into its last soft whirlpool, hung in the air like a spectre – you hardly dared breathe.
“I’m incredibly disappointed to have to withdraw from what would have been my first ever Wagner opera. I was so looking forward to being reunited with David McVicar for the production and would like to wish the company all the best as they start rehearsals. It is my great wish to continue with my second engagement at this summer’s Festival, Béatrice et Bénédict; I’ve been advised that this is a realistic prospect and my attention is focused on achieving a swift recovery to fulfil this.”
"Having a mobile app is a way for Seattle Shakespeare Company to stay connected and engage with our patrons no matter where we are - whether it’s at our indoor venues, at our summer park shows, or on tour across the state. It’s flexible, easy to use, and works within our budget. We looked long and hard for a mobile app solution that would work with our unique needs, and we’re so glad we found InstantEncore."