I was at the Wigmore Hall yesterday evening and once again it was brought vividly to my attention that London has a wonderfully developed audience for 21st century music, and clearly that audience has a huge appetite which can scarcely be satisfied. Recent productions at the Royal Opera House were Harrison Birtwistle's Minotaur, and George Benjamin's Written on Skin. Both were sold out for the runs of multiple performances.
Yesterday was George Benjamin Day at the Wigmore. Sold out again! There are just so many people, endlessly curious, who are prepared to spend time and money on these explorations. And last night we were treated to three absorbing pieces by three intriguing composers - Benjamin himself, Francesco Antonioni, and David Sawer.
The Birmingham Contemporary Music Group, conducted by George Benjamin, with guests soprano Susanna Andersson (remarkable) and contralto Hilary Summers (unique and indispensable), did the heavy lifting. And that included a bass flute!
So we had these three pieces - from Antonioni his Ballata from 2008, the world première of Sawer's Rumpelstiltskin Suite, and Benjamin's Into the Little Hill. I will not even attempt to comment critically on these - I am completely unqualified to so so. But believe me, if you respond to music's unique powers of expression, and respond yourself to its ability to express emotions and feelings that no language can, then you would be absorbed by each of these works. That's all I have to say - well not quite - the performances under the guidance of Benjamin were superb and those two singers.......well its as good as it gets!