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NACOcast: Classical music podcast with Sean Rice
National Arts Centre Orchestra
Join host Sean Rice (Second Clarinet, NAC Orchestra) as he explores the world of classical music and its great composers. In this series of audio programmes you can look forward to hearing insightful commentary about upcoming NAC Orchestra programmes as well as musical excerpts and interviews with NACO musicians and guest artists.
140 Episodes
Portuguese conductor Joana Carneiro, a well-travelled artist, talks with Sean Rice about her first time with the Pina Bausch dance company and with the NAC Orchestra, all in the same week in September 2017.
17 days ago |
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Sean Rice interviewed the NAC Orchestra’s principal oboe Chip Hamann about his new album, a two-disc album that was released in June 2017. It was the first classical recording at the Isabel Bader Centre in Kingston. What a fantastic and incredible hall to record!

The double-cd set is called Canadian Works for Oboe and Piano, a collaboration with Ottawa pianist Fred Lacroix. It all started with John Burge’s Sonata Breve No. 4 for oboe and piano, composed in 2012. Fred Lacroix was also rather instrumental in the creation of this recording. Chip outlines several ideas that contributed to his CD which is available on the Canadian Music Centre’s website.


Sean Rice a interviewé Chip Hamann, hautbois solo de l’Orchestre du CAN, au sujet de son nouvel album, un album à deux disques qui a été publié en juin 2017. Ce fut le premier enregistrement de musique classique au centre Isabel Bader à Kingston. Quelle salle fantastique et incroyable pour un tel enregistrement!

L’ensemble s’intitule Canadian Works for Oboe and Piano, et est une collaboration avec le pianist d’Ottawa Frédéric Lacroix. Le tout a commencé avec la Sonate Breve no 4 pour hautbois et piano de John Burge, composée en 2012. Frédéric Lacroix à eglaement joué un rôle important dans la création de cet enregistrement. Chip souligne plusieurs idées qui ont contribué à son CD, œuvre disponible sur le site web du Centre de musique canadienne.

2 months ago |
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Robert Chafe is a 2010 Governor General Award recipient for his play, Afterimage. His extensive body of work also includes such plays as Place of First Light, Charismatic Death Scenes, Belly Up, Emptygirl, Oil and Water, Butler's Marsh, and Tempting Providence. Butler's Marsh and Tempting Providence also earned Robert a 2004 Governor General Award nomination. Robert is Artistic Director for the company, Artistic Fraud, based in St. John's, and he collaborates quite frequently with our head of English Theatre here at the NAC, fellow Newfoundlander, Jillian Keiley. We are incredibly fortunate that Robert is able to join us today to talk about his work, Heirloom.

The NAC Orchestra and Shallaway Youth Choir performed "Heirloom" by Larysa Kuzmenko and Robert Chafe (based on Brahms Intermezzo, Op. 118, No. 2) on April 27, 2017.

3 months ago |
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Principal Bassist, Joel Quarrington, joins us to talk about his brand new solo album, Schubert: An die Musik, that he recorded with Canadian pianist, David Jalbert. We discuss his love of the music that he recorded and his album release at this year's Double Bass Convention in Ithaca, NY.
5 months ago |
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Maestro Alexander Shelley shares his thoughts on the National Arts Centre Orchestra's 2017-18 opening festival of music, Ideas of North - featuring an array of Scandinavian composers and performers, including many of Sibelius' symphonies and tone poems. Principal Guest Conductor, John Storgårds, will perform Kaiji Saariaho's Violin Concerto and Guest Conductor Hannu Lintu joins Maestros Shelley and Storgårds on the podium for the series of concerts.
5 months ago |
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In this bilingual panel discussion on Creation and Collaboration that preceded the world premiere of ENCOUNT3RS (April 20-22, 2017), animator Catherine Clark speaks with the six Canadian artists involved in this historic NAC dance-music commission celebrating Canada 150. Following a discussion between Executive Producer of Dance Cathy Levy and Music Director Alexander Shelley in 2015, choreographer Jean Grand-Maître (Alberta Ballet) and composer Andrew Staniland; choreographer Emily Molnar (Ballet BC) and composer Nicole Lizée; and choreographer Guillaume Côté (The National Ballet of Canada) and composer Kevin Lau were invited to create three new one-act ballets and three original orchestral scores to be performed by the NAC Orchestra under Alexander’s baton. The outcome was an extraordinary dance and music triple bill. The panel conversation centred on the genesis and creative process for each collaboration; the choreographer-composer relationship; the ground-breaking nature of this project; the impact this rare opportunity had on the creators and performers; the role art plays in helping us better understand the world we live in and in bringing us closer together; and the legacy of ENCOUNT3RS. In closing, the artists praised the NAC for commissioning a project of such magnitude and for its unrelenting urge to see it through.
9 months ago |
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Sean Rice and Alexander Shelley talk about the "Soul Stirring Music" coming up in the 2017-2018 season of the NAC Orchestra.

"I am full of anticipation for the NAC Orchestra season ahead and the glorious music that awaits us. We will host some of the finest performers in the world - artists like Itzhak Perlman, Emanuel Ax, Lang Lang, Angela Hewitt, Stephen Hough, Pinchas Zukerman and John Storgards."

- Alexander Shelley

11 months ago |
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In celebration of Beethoven and Schumann – two highly expressive and innovative composers, the NAC Orchestra created an eclectic evening of music, dance and art called Classical Collisions. Fine art inspired graffiti artists while classical music mixed with DJ scratching - and everybody danced.

Artist Anita Kunz, who was commissioned to create the illustration of Beethoven and Schumann in a fraternal kiss loved the concept. “It’s a lovely, warm idea of brotherhood between these two great composers.”

For Music Director Alexander Shelley it was an opportunity to welcome a diverse community of artists to collaborate and create. "It’s absolutely appropriate that we should have other improvisers in the building showing what they do with these themes." explained Shelley.

Classical Collisions was a 21st century interpretation of the free spirited romantic era. And it was a party I’m sure both Beethoven and Schumann would have loved.

1 year ago |
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November 16 & 17 was the world-premiere of Peter Paul Koprowski's Concertante for Double Bass, Strings and Percussion, written for and performed by the NAC Orchestra’s own world-class, mega-talented principal double bass Joel Quarrington. Sean talks with Joel about his roots, his training and his career as a double bass player.

Excerpts of Peter Paul Koprowski's Concertante for Double Bass, Strings and Percussion from the NAC Orchestra concert in Southam Hall on November 17, 2016.

1 year ago |
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Did you know the Canadian Brass shares founding members with the National Arts Centre Orchestra!? Join Sean Rice in a conversation about the history and future of Canadian Brass with founding member Chuck Daellenbach and newest member Caleb Hudson. Chuck shares stories like filling in with the NAC Orchestra, getting to Carnegie Hall by way of children's concerts, and Caleb talks about possibly the most difficult audition in history.

Musical excerpts are from their spectacular concerts with the NAC Orchestra from November 3-5, 2016.

1 year ago |
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